Bundle Pack: Bundle 3 “20 Shades of Gain”

Gain Range:

KEMPER PROFILES

The Entire collection from Theampfactory pack 3 – A mixture of Boutique to classic, some highly sort after “performance” amps in this pack entitled, “20 Shades of Gain”

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Pack 3

Trying to recreate the sound of:

Two-Rock GainMaster

Gain Range:

Demo:

...Best suited for Rock/Country/Classic Rock  

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What you Get…

Despite its name. – its not really a master of gain.. maybe of low to mid gain yes. – TwoRock are very boutique amps and at crazy street prices, although justified!… very tonal and complex overdrive on this, Very nice indeed, lush/warm vibrant are the words of the day here….This rock is not quite Mayer territory!.

  • 12 Profiles of various settings (sweetspots)
  • 2×12 Cab with GH30 loaded.
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender EC Twinolux

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock  

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What you Get…

Slightly more “edge” than the tremolux version of this amp, and bigger too, bit more gain and power amp breakup on this, and this leads to a nicer sound overall. – but pushed too much and can sound a little brittle.

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo G12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Claptons Strat for copycat tones
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender EC Tremolux

Gain Range:

Demo:

...Best suited for Blues/ClassicRock

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What you Get…

They asked Eric clapton to design its perfect tweed style amp, and these are his own signature models, the Twin and Trem. two slightly different voiced amps, great amps to use and play, voiced differently than the normal trem/twin’s

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo 1×12 G12’s
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Even greater with Claptons Strat!
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

ToneKing Metro

Gain Range:

Demo:

...Best suited for Blues/country/ClassicRock  

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What you Get…

And here it is, my favorite king of all time, – this one speaks serious volumes to me (not the loudness kind either) – I love its dynamics, the pleasure the satisfaction it offers.. amazing.. really great amp!

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo G12 2×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender SuperSonic

Gain Range:

Demo:

...Best suited for Blues/Fusion/ClassicRock

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What you Get…

The light breakup, and clean to this amp is super, but the drive channels..seems they tried too hard and its a bit too fizzy. – although this particular amp had trouble in the studio, so only managed to capture 6 profiles.. (still great though)

  • 6 Profiles of various settings (sweetspots)
  • Running its own speaker combo 1×12 Jenson
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for alternate sound
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Soldano SLO100

Gain Range:

Demo:

...Best Suited for HardRock/Metal/Grunge  

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What you Get…

I tell you what, this is still one of the greatest in “lead” style guitar amps around, not just for Hardrock.. but this has been used in all kinds of productions from slow blues, to even dare I say it.. (jazz) – its long sustain, and perfectly even smoothness of the higher registry that really sings here. – great amp and what a tone!

  • 11 Profiles of various settings (sweetspots)
  • 4×12, V30 loaded cab
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain / lead sounds
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Roland JC120

Gain Range:

Demo:

...Best suited for Jazz/Clean/Pop

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What you Get…

Ok so we all loved that clean chorus on guitars found lingering hugely in the 1980’s, we all wondered how and where!!, well this is how, welcome the Roland, great clean sound, and a true Gem from the 80’s era!

  • 10 Profiles of various settings (sweetspots)
  • Running its own speaker combo
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Peavey 6505

Gain Range:

Demo:

...Best suited for HardRock/Metal/Fusion/Grunge

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What you Get…

Well is this not the ultimate in Metal amps?

  • 12 Profiles of various settings (sweetspots)
  • 4×12 V30 Loaded cab
  • Various Stompboxes added in front of amp
  • All channels profiled
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the clean side & alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Peavey Classic 50

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

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What you Get…

A real workhorse, full of energy and fun, its got great tweed like breakup, but then quite quirky higher gain structure that’s non tweed. – I really enjoy playing this amp, and it never gets enough credit.

  • 10 Profiles of various settings (sweetspots)
  • Running its own speaker combo
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Orange ThunderVerb 200

Gain Range:

Demo:

...Best Suited for Rock/HardRock/indie

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What you Get…

This is a real workhorse for gain!. it has tons on tap, and its quite tight too so its usable gain, and that’s important. great for that deep chugga playing.

  • 8 Profiles of various settings (sweetspots)
  • 4×12 V30 loaded cab.
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain / indie style
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Lindy Frallin VVT

Gain Range:

Demo:

...Best Suited for Clean/Blues

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What you Get…

This amp is quite a one of a kind in terms of its gain structure. it reminds me of a Parallel circuit, where the gain runs along side the amp itself, rather than with it in serial fashion. – Great sound, almost a cross between a vox and fender amp. and that cant be a bad thing!.

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo Gh30
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall Satriani Signature

Gain Range:

Demo:

...Best Suited for Rock/HardRock

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What you Get…

Welcome to the sound of satriani. – artist series, (but really is once again a modded 800) in my opinion of course. – Great amp for slushy lead work.. if that’s your thing!!

  • 9 Profiles of various settings (sweetspots)
  • Marshall cab, 4×12 GH30
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall JMP MKII

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

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What you Get…

A beefier model than the normall II, although for me its the reverse here. – this had less gain (controlled gain) than its previous version. – so not sure whats up with that!. but still an almighty amp!..

  • 9 Profiles of various settings (sweetspots)
  • Marshall G25 loaded cab 4×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall 1987 JMP H/W

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

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What you Get…

I adore this amp, for that classic rock tone you always seem to hear. – These are quite hard on the bass. and can be quite hard to handle though..(with a 4×12, but that’s how you need to run this monster!) but still, what a sound!

  • 8 Profiles of various settings (sweetspots)
  • G25 loaded cab 4×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender Princeton 65 RI

Gain Range:

Demo:

...Best Suited for Blues/Clean/ClassicRock

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What you Get…

Clean, Drive. pretty much the norm here. – this is a RI version, and whilst it retains a lot of its original, the speaker used is not quite the same.. and has not had years of abuse thrown at it!.

  • 8 Profiles of various settings (sweetspots)
  • Running its own speaker combo (jenson) 1×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative sound
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Excelsior

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

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What you Get…

Small amp, and cheap too, this amp is great!, designed to be used with accordion also. very loud, and very clear!.

  • 7 Profiles of various settings (sweetspots)
  • Running its own speaker combo
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Dr.Z Monza

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

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What you Get…

A Lowgain pleasure hub!. – The interaction of this amp with its tonestack is one of the best ive heard,  its very musical almost around the clock, and that’s quite rare in amps.. The breakup is great, and it can also pack a punch if you want it too….

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker GH30
  • Various stompboxes profiled in front of amp.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Divide by 13 LDW

Gain Range:

Demo:

...Best Suited for Clean/Blues/Country

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What you Get…

This amp has amazing breakup and pushed clean. – really does bond with you as a player and your guitar, There is not too much variety to it. but you don’t need it.. trust me!

  • 9 Profiles of various settings (sweetspots)
  • Running its own internal speaker G75
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Stompboxes also added in front of amp
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative sound
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Budda 18 SuperDrive

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

This amp is gentle on its compression on over-driven tones, so it still lets you translate a lot of dynamic ability, its a very enjoyable amp that’s warm, but things can easy get outta hand..

  • 12 Profiles of various settings (sweetspots)
  • 4×12 G12 loaded Cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

BadCat HotCat

Gain Range:

Demo:

...Best Suited for Blues/Rock/Hardrock  

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What you Get…

The Hotcat is a great boutique amplifier that has a great following. – the tone circuit really works wonders for this amp, and has a nice smooth sound, and actually almost dumble like overtones.

  • 8 Profiles of various settings (sweetspots)
  • Running its own Speakers 2×12 combo
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs