Amps

Trying to recreate the sound of:

Vox AC30 CopperTop 1964

Gain Range:

Demo:

...Best Suited for ClassicRock/Clean/Pop/Indie

More Info

What you Get…

This particular amp, was the best I ever played or heard, in fact Ive put a bid in to buy it… the in the room sound was simply incredible, to a point that you could completely immerse yourself in audio and time stood still completely. – the best AC on this planet! and Ive played Hundreds over the years!.

  • 7 Profiles of various settings (sweetspots)
  • Running with its own Blues 2×12 combo speakers
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall JTM45

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

More Info

What you Get…

This BlackFlag is still 100% original form, and in great condition considering its use. – Early power amp breakup and its (famously) rich sound makes this one of the greatest amps you will find.

  • 5 Profiles of various settings (sweetspots)
  • Pre-Rola G25 Basket Cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Vox AC50 BlueTop

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

More Info

What you Get…

The Bluetop (head) is not as popular as its lil brother the AC, Not sure why, as they both sound great, and the 50 is no exception here. – in fact the 50 has a little more squeeze in the top end, and a bit more gain. but that’s about it…- the good thing here is you can use it with any cab!.

  • 5 Profiles of various settings (sweetspots)
  • Running into a Vox 2×12 cab with Blues inside.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Orange Matamp 1968

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

The Vintage!, they don’t make them like this anymore, this to me is the best Orange amp Ive ever used, whilst the modern range are still great, but its not a patch on what these badboys can do!. – a real live sound that’s truly inspirational to play.

  • 8 Profiles of various settings (sweetspots)
  • 4×12 Pre-rola V30 loaded cab.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

WEM ER 100 1968

Gain Range:

Demo:

...Best Suited for ClassicRock

More Info

What you Get…

I love this amp, lets get that out of the box first of all, – I think these amps deliver a thicker tone to normal, I think its because the amp pushes mids a lot more but in a good way. – I fell in love with this model the same as I do with most amps I play from the 70’s

  • 6 Profiles of various settings (sweetspots)
  • Ran through a 2×12 Blues loaded cab.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

HiWatt 100 1970 (DG’s Amp)

Gain Range:

Demo:

...Best suited for ClassicRock

More Info

What you Get…

Well what can I say, – David Gilmours original amp he used to record The wall, and dark side. this was his studio amp, and only he used this. – naturally for me growing up with DG, it was an honor for me to get my hands on it and play this faithful old amp. – However in the wrong hands, its a standard amp thats been customized a little, but in his hands its something magical.

  • 10 Profiles of various settings (sweetspots)
  • Running with Fane loaded 4×12 Cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

HiWatt Custom 50 1970

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you get…

This amp brand will always be associated with 2 great bands, Pink Floyd, and the Who. – and this amp was used by Townsend to record one of there albums (not sure what one) – and whilst I love this amp for its unique tone..This one did not grab me as much as I hoped it would…

  • 7 Profiles of various settings (sweetspots)
  • Fane Loaded 4×12 Cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Orange Overdrive 1973

Gain Range:

Demo:

...Best suited for Rock/ClassicRock/Indie

More Info

What you Get…

This actual amp was used with Oasis through there recording of several albums. – Quite a special amp, but quite trashy.. grungy, loose? not sure the best way to describe it. – but orange are normal a tight sounding amp, this one is clearly not, I think its been modified somehow, although not sure what they did. – but its a great sounding amp, and really enjoyable one!

  • 8 Profiles of various settings (sweetspots)
  • Loaded 4×12 V30 cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall JCM800 (Quo)

Gain Range:

Demo:

...Best Suited for ClassicRock

More Info

What you get…

Quite a low gain 800, but it was designed for the Quo, and this one used by the Quo, and they were not really about high gain. – they wanted to keep the original sound, but have a more transparent sound. – this amp has different preamp tubes, but the power section is the same. – so breakup is harder to dial in. – don’t get me wrong it can still produce a lot of it.. but not as much as a regular 800!.

  • 6 Profiles of various settings (sweetspots)
  • 4×12 Greenback (25’s) cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

MesaBoogie 2B 1984

Gain Range:

Demo:

...Best Suited for Rock/HardRock/80'sMetal

More Info

What you Get…

The start of the HighGain era, with its boogie Mark2 – despite its NASA style control panel and Heavy Heavy weight, it sounds great. – the clean is classic boogie in a tin.. and the gain structure as you push it is quite pleasing to be in the same room as. – need to watch the highs, they can get out of hand with these amps….

  • 9 Profiles of various settings (sweetspots)
  • I ran the speaker out into a 4×12 EV12 loaded cab (its internal speaker was not producing good results)
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Soldano Hotrod 1996

Gain Range:

Demo:

...Best Suited for Rock  

More Info

What you Get…

Not as High, and shouty as I expected, – its actually surprisingly gentle. – The highs can be a problem with the amp, I think they went a bit overboard with the brightness caps. – But that’s all personal opinion. – great amp though for great rock back-line.

  • 8 Profiles of various settings (sweetspots)
  • 4×12 V30 cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Toneking Galaxy

Gain Range:

Demo:

...Best suited for Country/ClassicRock/Clean

More Info

What you Get…

I love King amps, and this one rates quite high on the list of them, – its a great all round lowgain amp, it puts and spits if pushed too much, but that’s fine, as if offers plenty in the lower gain registry anyway…and I must say.. – its also the ugliest amp I have ever seen! (sorry)

  • 6 Profiles of various settings (sweetspots)
  • 2×12 loaded cab (G75’s)
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Hayden MoFo

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

Loved this, its juicy, fresh, and great sound.. – a really fun amp thats good to keep around for the studio…

  • 9 Profiles of various settings (sweetspots)
  • Running into a v30 loaded cab.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Orange OD50

Gain Range:

Demo:

...Best suited for Rock/ClassicRock/Indie

More Info

What you Get…

Interesting to compare this, the Overdrive and mata, and you can see a small evolution of this brand’s amps all in one pack.!

  • 5 Profiles of various settings (sweetspots)
  • Orange V30 loaded cab 4×12
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

HiWatt Studio/Stage 50

Gain Range:

Demo:

...Best suited for ClassicRock

More Info

What you Get…

A  combo!. not quite the same effect as the heads and a Fane driven cab, but its still great (as most are) – but this lacked that “something extra”

  • 8 Profiles of various settings (sweetspots)
  • Running with its own Fane 2×12 speakers in a combo.
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

MesaBoogie Royal Atlantic 100

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

The Royal, its great for a thick clean/mid gain flowing lead sound, but this turned up full with lots of gain, just did not cut it so well, – they tried to do a jack of all trades with this amp, but not quite mastered it.. still brilliant for lowgain and clean though!

  • 9 Profiles of various settings (sweetspots)
  • 4×12 C90 loaded cab
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Two-Rock GainMaster

Gain Range:

Demo:

...Best suited for Rock/Country/Classic Rock  

More Info

What you Get…

Despite its name. – its not really a master of gain.. maybe of low to mid gain yes. – TwoRock are very boutique amps and at crazy street prices, although justified!… very tonal and complex overdrive on this, Very nice indeed, lush/warm vibrant are the words of the day here….This rock is not quite Mayer territory!.

  • 12 Profiles of various settings (sweetspots)
  • 2×12 Cab with GH30 loaded.
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender EC Twinolux

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock  

More Info

What you Get…

Slightly more “edge” than the tremolux version of this amp, and bigger too, bit more gain and power amp breakup on this, and this leads to a nicer sound overall. – but pushed too much and can sound a little brittle.

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo G12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Claptons Strat for copycat tones
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender EC Tremolux

Gain Range:

Demo:

...Best suited for Blues/ClassicRock

More Info

What you Get…

They asked Eric clapton to design its perfect tweed style amp, and these are his own signature models, the Twin and Trem. two slightly different voiced amps, great amps to use and play, voiced differently than the normal trem/twin’s

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo 1×12 G12’s
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Even greater with Claptons Strat!
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

ToneKing Metro

Gain Range:

Demo:

...Best suited for Blues/country/ClassicRock  

More Info

What you Get…

And here it is, my favorite king of all time, – this one speaks serious volumes to me (not the loudness kind either) – I love its dynamics, the pleasure the satisfaction it offers.. amazing.. really great amp!

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo G12 2×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Fender SuperSonic

Gain Range:

Demo:

...Best suited for Blues/Fusion/ClassicRock

More Info

What you Get…

The light breakup, and clean to this amp is super, but the drive channels..seems they tried too hard and its a bit too fizzy. – although this particular amp had trouble in the studio, so only managed to capture 6 profiles.. (still great though)

  • 6 Profiles of various settings (sweetspots)
  • Running its own speaker combo 1×12 Jenson
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for alternate sound
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Soldano SLO100

Gain Range:

Demo:

...Best Suited for HardRock/Metal/Grunge  

More Info

What you Get…

I tell you what, this is still one of the greatest in “lead” style guitar amps around, not just for Hardrock.. but this has been used in all kinds of productions from slow blues, to even dare I say it.. (jazz) – its long sustain, and perfectly even smoothness of the higher registry that really sings here. – great amp and what a tone!

  • 11 Profiles of various settings (sweetspots)
  • 4×12, V30 loaded cab
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain / lead sounds
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Roland JC120

Gain Range:

Demo:

...Best suited for Jazz/Clean/Pop

More Info

What you Get…

Ok so we all loved that clean chorus on guitars found lingering hugely in the 1980’s, we all wondered how and where!!, well this is how, welcome the Roland, great clean sound, and a true Gem from the 80’s era!

  • 10 Profiles of various settings (sweetspots)
  • Running its own speaker combo
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Peavey 6505

Gain Range:

Demo:

...Best suited for HardRock/Metal/Fusion/Grunge

More Info

What you Get…

Well is this not the ultimate in Metal amps?

  • 12 Profiles of various settings (sweetspots)
  • 4×12 V30 Loaded cab
  • Various Stompboxes added in front of amp
  • All channels profiled
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the clean side & alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Peavey Classic 50

Gain Range:

Demo:

...Best Suited for Blues/ClassicRock

More Info

What you Get…

A real workhorse, full of energy and fun, its got great tweed like breakup, but then quite quirky higher gain structure that’s non tweed. – I really enjoy playing this amp, and it never gets enough credit.

  • 10 Profiles of various settings (sweetspots)
  • Running its own speaker combo
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Orange ThunderVerb 200

Gain Range:

Demo:

...Best Suited for Rock/HardRock/indie

More Info

What you Get…

This is a real workhorse for gain!. it has tons on tap, and its quite tight too so its usable gain, and that’s important. great for that deep chugga playing.

  • 8 Profiles of various settings (sweetspots)
  • 4×12 V30 loaded cab.
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain / indie style
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Lindy Frallin VVT

Gain Range:

Demo:

...Best Suited for Clean/Blues

More Info

What you Get…

This amp is quite a one of a kind in terms of its gain structure. it reminds me of a Parallel circuit, where the gain runs along side the amp itself, rather than with it in serial fashion. – Great sound, almost a cross between a vox and fender amp. and that cant be a bad thing!.

  • 9 Profiles of various settings (sweetspots)
  • Running its own speaker combo Gh30
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for the low gain
  • Lespaul or Humbucker for an alternative tone
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall Satriani Signature

Gain Range:

Demo:

...Best Suited for Rock/HardRock

More Info

What you Get…

Welcome to the sound of satriani. – artist series, (but really is once again a modded 800) in my opinion of course. – Great amp for slushy lead work.. if that’s your thing!!

  • 9 Profiles of various settings (sweetspots)
  • Marshall cab, 4×12 GH30
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall JMP MKII

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

A beefier model than the normall II, although for me its the reverse here. – this had less gain (controlled gain) than its previous version. – so not sure whats up with that!. but still an almighty amp!..

  • 9 Profiles of various settings (sweetspots)
  • Marshall G25 loaded cab 4×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs

Trying to recreate the sound of:

Marshall 1987 JMP H/W

Gain Range:

Demo:

...Best Suited for Rock/ClassicRock

More Info

What you Get…

I adore this amp, for that classic rock tone you always seem to hear. – These are quite hard on the bass. and can be quite hard to handle though..(with a 4×12, but that’s how you need to run this monster!) but still, what a sound!

  • 8 Profiles of various settings (sweetspots)
  • G25 loaded cab 4×12
  • Various Stompboxes added in front of amp
  • Multimic 57, 121 and 414 running through Neve Mic pre’s
  • Great for Live and studio play

What we recommend…

  • Strat/Tele for an alternative sound
  • Lespaul or Humbucker for the higher gain
  • Try Increasing the “Definition” for a brighter/tighter tone
  • Try decreasing the “Definition” for a darker/vintage/looser tone
  • These were created using reference monitors, so use EQ to taste to adjust to your needs